Terminator: Dark Fate (2019)
Dark Fate is, in my book, the best attempt to continue the Terminator franchise since 1991. It’s a shame that it just happens to be dead on arrival.
Dark Fate is, in my book, the best attempt to continue the Terminator franchise since 1991. It’s a shame that it just happens to be dead on arrival.
The ideas are all there, but they’re wrapped up in a clumsily-configured storyline let down by its clichéd characterisations.
3 From Hell is that it doesn’t really have a substantial enough idea to justify returning to a decade-old franchise.
There’s nothing especially original about neo-slasher The Furies, but its purity sets it apart.
Halloween is only days away, and what better way to celebrate the occasion with a bevy of horror films at this year’s iteration of Monster Fest?
This is mostly an excuse for Michelle Williams and Julianne Moore to flex their acting muscles.
Horror comedies are hard. Ready or Not proves they don’t have to be.
At its best, Blinded by the Light is an encapsulation of the power of music.
Zombieland: Double Tap will sell tickets off the promise of exploding zombies and sarcastic asides. Thankfully, it has both in droves.
Monos is a surprising film, which is perhaps the best thing an arthouse film can be.