David Stratton: A Cinematic Life (2017)
A Cinematic Life aligns Australia’s (second) favourite critic’s biography with cinematic history
‘Kong: Skull Island’ Has A Powerful Roar But Nothing To Say
Kong: Skull Island isn’t interested in saying anything more substantive than, “Whoa, did you see that!?”
Death Parade
There’s a glimmer of a great idea in Death Parade, but it’s ultimately little more than a unique curio.
I Don’t Feel At Home in This World Anymore (2017)
An action-comedy perfectly suited to chucking on while kicking back on the couch at home.
New Blood in a Deteriorating Body: Logan
At this point, a superheo film eschewing setting up spinoffs and post-credit scenes in favour of robust character development feels almost revolutionary.
Embrace of the Serpent (2015)
I understand why critics love this film, but Ciro Guerra’s diptych portrait of the imperilled Amazon never struck a nerve with me.
Hope in Despair, Despair from Hope: Puella Magi Madoka Magica
While Puella Magi Madoka Magica is indebted to magical girl tropes, it offers an immeasurably darker take on that material than you could imagine.
‘T2’ Isn’t Just A Great Sequel, It Might Change How You Think Of ‘Trainspotting’
T2: Trainspotting succeeds because it plays like a darker, sadder, tireder, older version of the original film.
Life, Animated (2016)
Life, Animated is too intent on crafting an inspirational story of triumph over adversity.
Miss Sloane (2016)
Miss Sloane prioritises politicking over politics.
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