The Quiet Horror Of ‘Dunkirk’: Christopher Nolan’s War Epic Will Wreck You
Dunkirk is the final act of a horror film… but as a full-length movie.
Little Wing (2016)
Despite adopting a naturalistic aesthetic, Finnish coming-of-age film Little Wing never feels anything but inauthentic.
Giveaway: Win Double Passes to Atomic Blonde [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 10 double passes to give away to Atomic Blonde, releasing in Australian cinemas Thursday August 3rd.
Adventure Time: Islands
Where Adventure Time: Stakes! succeeded by focusing on the supporting cast, Islands suffers through its inability to offer anything outside the ordinary.
The Man (2017)
The aching, vacant tone that director Charlotte Sieling adopts here feels like a distant echo of Buñuel’s satire.
Come on Baby Driver, Don’t Fall Down on Me Now
Baby Driver has been widely compared to musicals; but this ain’t no musical. This is a mixtape movie.
The Beguiled (2017)
The Beguiled succeeds as an arch comedy that savagely satirises its self-obsessed ladies of leisure.
Eight Reasons to Love Spider-Man: Homecoming
It feels like a surprise that Spider-Man: Homecoming is as good as it is.
First Girl I Loved (2016)
This lesbian romance looks very ‘indie’ – gauzy light streaming into the camera, flashes of Instagram expressionism – but avoids cliché.
It Comes at Night Exploits the Terror of the Unknown
It Comes at Night unnerves its audience through its destabilising insistence on avoiding explanation.
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