Creed II (2018)
This is an underdog story with heart, as entertaining (if not as well-crafted) as Coogler’s predecessor.
Climax (2018)
Forget nu-Suspiria; Climax is the film of 2018 that truly gives itself over to the dance.
Giveaway: Win Double Passes to Overlord (and Merch!) [COMPLETED]
Thanks to Paramount Pictures Australia, ccpopculture has 5 double passes – and some merch! – to give away to Overlord, releasing in Australian cinemas Thursday December 6th.
Widows: The Genre Film That Isn’t
But Widows exhibits cosmetic similarities with the heist genre, it resolutely resists generic conventions.
Foxtrot Explores the Numbing Mundanity of Modern War
Israeli drama Foxtrot evinces a restless creativity that’s occasionally exhausting but often compelling.
Fantastic Beasts: Crimes of Grindelwald Is a Muddied, Incoherent Addition to the Harry Potter Universe
The problem with Fantastic Beasts: Crimes of Grindelwald is that it’s trying to do way too much.
Giveaway: Win Double Passes to Mortal Engines [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 5 double passes to give away to Mortal Engines, releasing in Australian cinemas Thursday December 6th.
Suspiria (2018)
My issue with Suspiria is that it’s neither thrilling, nor scary, nor fun.
Seven Mortal Sins
For better or worse, Seven Mortal Sins is the epitome of ecchi anime.
The Party (2017)
There’s a kernel of a decent film in The Party, but it’s scuttled by clumsily blatant attempts at satire.
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