The Beguiled (2017)
The Beguiled succeeds as an arch comedy that savagely satirises its self-obsessed ladies of leisure.
The Beguiled succeeds as an arch comedy that savagely satirises its self-obsessed ladies of leisure.
It feels like a surprise that Spider-Man: Homecoming is as good as it is.
This lesbian romance looks very ‘indie’ – gauzy light streaming into the camera, flashes of Instagram expressionism – but avoids cliché.
It Comes at Night unnerves its audience through its destabilising insistence on avoiding explanation.