Can You Ever Forgive Me? (2018)
This is a different kind of New York film.
Creed II (2018)
This is an underdog story with heart, as entertaining (if not as well-crafted) as Coogler’s predecessor.
Climax (2018)
Forget nu-Suspiria; Climax is the film of 2018 that truly gives itself over to the dance.
BIFF: Shoplifters (2018)
Shoplifters unfolds with Kore-eda’s trademark warmth and generosity, but there’s a sting in its tail.
BIFF: The Wild Boys (2017)
The Wild Boys is the kind of film that defies words.
Gone Girl Gone Wild: A Simple Favour Upends the ‘Missing Woman’ Thriller to Hilarious Effect
A Simple Favour is a self-aware, genuinely funny spin on the overheated airport novel genre.
Searching Transcends Its On-Screen Gimmick
Is that stray comment five-deep in missing Margot’s Messenger foreshadowing or irrelevant? You’ll have to wait and see – and watch carefully.
State of the Action: Mission: Impossible – Fallout, The Spy Who Dumped Me and Action Cinema in 2018
In 2018, action is as strong as ever. But the boundaries of the genre have been redefined in the wake of the superhero genre’s dominance over the box office.
Upgrade Deconstructs the Revenge Film
Upgrade is a clever genre mash-up. The film merges the tropes of the traditional revenge flick with speculative sci-fi,
at once indulging in genre thrills and commenting upon them.
The Incredibles 2 (2018)
Pixar have got their mojo back.
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