It might only be a minor adjustment to shift a story traditionally centred on teen boys to teen girls, but it makes all the difference.
Right from the get-go, Rocketman steps out as a musical, focusing on fun rather than facts.
The depth and ambiguity of Us’s underlying metaphors is thought-provoking in a way that eclipses its contemporaries.
This is a different kind of New York film.
This is an underdog story with heart, as entertaining (if not as well-crafted) as Coogler’s predecessor.
Forget nu-Suspiria; Climax is the film of 2018 that truly gives itself over to the dance.
Shoplifters unfolds with Kore-eda’s trademark warmth and generosity, but there’s a sting in its tail.